会場:京都大学 吉田キャンパス 国際科学イノベーション棟
Venue: “International Science Innovation Building” in Yoshida Campus, Kyoto University
Hans Bjarne Thomsen, University of Zurich
根立 研介 (京都大学 文学研究科) Kensuke Nedachi, Kyoto University
13:30-13:40 |
根立 研介 (京都大学 文学研究科) Kensuke Nedachi, Kyoto University Opening Address |
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13:40-14:05 | Sabine Bradel, University of Zurich Harmonious Vision: Stylistic Development and Compositional Strategies in the Early Works of Suzuki Harunobu |
14:10-14:35 |
河野 道房 (同志社大学 美学芸術学科) Michifusa Kōno, Doshisha University On the Qi'ao Xian Zong Tu Handscroll Painted by Xie Shichen in the Collection of the Museum Rietberg, Zurich |
14:40-15:05 |
Bettina Gockel, University of Zurich Complementary Pictures. Pictorialism as a Global Language of Modernism: Japan and the World |
15:10-15:35 |
稲本 泰生 (京都大学 人文科学研究所) Yasuo Inamoto, Kyoto University Sawamura Sentarō and the Copies of Paintings from Central Asia by Hasegawa Roka |
15:35-15:50 Coffee Break
15:50-16:15 |
Wolfgang Friedrich Kersten, University of Zurich The Imprint of the Eye: Masquerade and Appropriation. Yasumasa Morimura’s Art between Japanese and Western Art History |
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16:20-16:45 |
根立 研介 (京都大学 文学研究科) Kensuke Nedachi, Kyoto University Examining Post-War Swiss Exhibitions of Older Japanese Art |
16:50-17:15 | Hans Bjarne Thomsen, University of Zurich Glocal Readings: Japanese and East Asian Art Histories as Seen from Europe |
17:15-17:45 | Discussion 1 |
9:20-10:00 | Discussion 2 |
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10:15-12:00 |
Field Trip to the Kyoto University Museum 京都大学総合博物館 見学 |